|
At the most basic level Sacred Gaiametry is a work of art; kinetic art. It moves and rhythmically unfolds like a choreographed dance or modern ballet. It draws upon the full spectrum of 16 million colors offered by today's computers. By general concurrence it is breathtakingly beautiful. It is so unique no other artwork (save for its highly praised predecessor, lightSOURCE), could be compared to it. But if these were not reasons enough, why should one wish to acquire it?
Irrespective of origin, crop circles have acted as a catalyst to spirituality as we strive to understand the meaning and purpose behind the genuine crop circles. It has been said that these crop formations contain great wisdom, and perhaps are encoded and hold keys to the time of ascension that is fast approaching. Even to the most casual observer, the crop formations are eye-catching and lovely. To mathematicians they represent the presence of an original and profoundly deep intelligence. To an ever-expanding community of spiritual seekers they symbolize that our planet is reaching a decisive stage of evolution. Perhaps as well, they indicate contact with kindred earth energies, spirits, or devas - or kindred extraterrestrial beings - whose communications are emerging at this time to assist us through this critical point in our planet's and our species' history. The most direct and powerful way to experience crop circles is to walk within and among them. While many millions are fascinated by and have strong interest in the formations, relatively few are able to partake of that unique and wondrous first-hand encounter. Michael Glickman, architect, renowned 'croppie' and lecturer, author of the Wooden Book, Corn Circles, and creator of the Crop Circle Posters, says, "It remains in my view, more than ever, that a real understanding of these (crop formations) can only come through a contemplation of ... their shape, their design, and their geometry." And yet, the only way to truly become
fully cognizant of,
and experience first hand, the 'shape, design, and geometry' of the crop circles
- which is not fully evident while on the ground and in
From Michael Glickman again; "I have spent hundreds of hours in the circles. But many times more with the circles at my drawing board. This activity, I am sure, offers another doorway towards a comprehension of this radically mysterious phenomenon." Bert Janssen in his wonderful book, The Hypnotic Power of Crop Circles, had this to say about the circles: "Their geometry tells a lot about the amount of thinking that went into the design of the formation. And if it's not the work of human beings, it tells us a lot about whoever or whatever is doing the thinking. Anyone who knows anything about geometry will know that all of this goes way beyond chance. There is no way this could be a coincidence."
"The crop circle shapes work deep inside us in such a way that it enables us to do and feel things that we were unable to access before." Janssen also says, "The crop patterns have played a major role in the change which I have seen take place in so many people who became involved with crop circles. Other friends who did not become involved with these mysterious shapes, did not change." "The power of the shapes is not because they were laying in crop. No, the power resides in the shapes themselves." Because of their inherent spiritual power and the fact that seekers gather in them, crop circles have been called temporary temples. Indeed, they last for a very short duration...a few weeks at most. In fact, the Crooked Soley crop formation in 2002 was harvested only hours after it was discovered. The Crooked Soley crop circle depicts an unbroken double helix strand of DNA, and the pattern uses an extraordinarily sophisticated geometry. Alan Brown & John Michell in their fascinating book, Crooked Soley: A crop circle revelation, seek to explain the significance of the geometry which exhibits what Plato described as the ‘heavenly pattern’, and which has been the basis of the design of ancient monuments (and indeed of the world itself). Brown and Michell develop an argument that this particular crop circle represents direct communication from a divine intelligence. Not just any superior intelligence, they say it is the divine intelligence that created the Universe.
The circle appeared at night on 27 August 2002. It was the last major formation of the season and I was unaware of it until a year later when Allan Brown brought it to my attention. He had observed its numerical composition and recognized the significance of 5040 and 7920 through my writings about these numbers. He then waited for a year to see if anyone else would recognize them. No one did, so he wrote to me and, as said above, filled me with awe and amazement."
Crooked Soley, it seems, represents a new stage in a process which has been going on for many years. This process was observed as early as 1959, by Carl Jung in his last and most prophetic book, 'Flying Saucers'. He characterized the UFO phenomenon as a portent of radical changes in thoughts and perceptions, culminating in a renewal of divine influence - the return of the ancient gods. In crop circles, says Patrick Harpur in the afterword, Mercurius is the dominant power - the god of inspiration and learning. He is the traditional source of the revealed code of knowledge symbolized by 5040 and 7920, the numbers so beautifully encoded in the Crooked Soley formation."
Devil's Den - "This is a cosmic equation for the planetary alignments necessary for the full activation of what is known in the mythology of the House of David as the fully awakened Christ Being. This is the effect of the awakening of the DNA of the lineage of the ancient houses of light. The geometry of this crop circle imprints the cosmic completion of the Eden Principle."
Woodborough Hill - "Within the divine potential of All That Is dwells all that has been and that ever will be. This is the portal all all divine possibilities, the meeting place of cosmic creation. Allow your eyes to merge with this crop circle design and this will encode your brain's neurocortex to adjust from the rapidly deteriorating old world to the newly resonant third dimensional hologram." At his dynamic website, Keys of the Arcturians, Janosh, a Scandinavian artist, offers extraordinary holographic computer art. It was not till after they appeared on the internet, however, that Janosh says he realized these were crop circle designs. Shortly thereafter Janosh was contacted by an Arcturian entity called Saïe. Saïe says it is the Arcturians who are largely responsible for the crop circle phenomenon. He shared with Janosh special meanings ('keys') that each design contains. A few examples:
Avebury
Henge (2005) = Gratitude. The energy of
Gratitude helps us remember to be grateful about everything that
happens in our lives for we have created it ourselves.
Saïe says, "The
Sacred Geometry within these formations is
recognized by the subconscious, since all living creatures consist of
geometrically shaped elements. The Golden Ratio
is such an example and frequently appears in crop circles. Sacred Geometry is
the most universal language that Earth has ever known up until now. The
purpose of this ‘supernatural’ communication is to guide mankind in its
evolution to a higher level of consciousness. A level that humans seem to have
lost over the past thousands of years. This way they clear the path for
literally creating Heaven on Earth."
As a result mankind is more consciously prepared to grow physically, mentally, emotionally and spiritually. Since humans have a rather visual focus, they absorb the codes much faster in their subconscious by looking at them as opposed to hearing or reading about it."
Suppose you were
given a set of keys...
|
